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汤显祖

na.Tang Xianzu
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汤显祖

汤显祖

英-汉网络释义

汤显祖

Tang Xianzu

Mu3 | Chinese Dictionary ... 田亩 field 汤显祖 Tang Xianzu 鸨母 female brothel keeper;a bawd ...

buddhism

... 17大千世界1 a long way gone 1汤显祖1 buddhism 2谜语大全5 the stranger ...

1

Then, in this sense , his experience there prove to be a blessing in disguise for Chinese literature .

也许，汤显祖的南粤之行，乃是中国文学史上的一件幸事。

4

Peony Pavilion , the representative work of Tang Xianzu , is also the representative work taking love as the subject matter in Kunqu opera .

牡丹亭，汤显祖的代表作，同时也是昆曲中以爱情为题材的代表作。

5

"Legends of Purple Hairpin " written by Tang Xian-zu can be named the first dream of the "Four Dreams of Linchuan" .

汤显祖创作于南京时期的《紫钗记》，堪称 “临川四梦 ”第一梦。

6

Zai Mei Bian, the first track, was inspired by the Kun Opera The Peony Pavilion, a masterpiece by Yuan Dynasty dramatist Tang Xianzu .

第一首歌《在梅边》的灵感来自元朝剧作家汤显祖的昆曲 -《牡丹亭》。

7

Tang Xianzu, a playwright of Ming Dynasty in 16th Century, was the coeval of Shakespeare of Britain .

16世纪明代的汤显祖与英国的莎士比亚是同时代人。

8

Tang and Shen made they own contributions in different aspects of the scholarization, standardization and dramatization for drama .

汤显祖、沈璟在不同的方面对戏曲的文人化、规范化、戏曲化做出了自己的贡献。

9

Ann: The Peony Pavilion , the writer is Tang Xianzu , a great playwright in Ming Dynasty of China .

《牡丹亭》，作者是汤显祖，中国明朝一位伟大的剧作家。

10

Tang Xianzu was a poet first of all, and then an ideologist and dramatist .

汤显祖首先是一个诗人，然后才是一个思想家、戏剧家。

11

Tang Xianzu is a high-yield writer , his poetry and drama writings is abundant .

汤显祖是一个高产作家，他的诗歌戏剧创作颇为丰富。

12

Lily: Tang Xianzu , like Shakespare, has written many great plays. Why don't we call him Shakespare of China ?

汤显祖就像莎士比亚一样，写了很多戏剧，我们为何不可以称他为中国的莎士比亚呢？

13

Ann: Why do you say that Tang Xianzu is Shakespare of China ?

为什么你说汤显祖是中国的莎干比亚？

14

Aesthetics Ideological Core of Tang Xian Zu -- "Sentiment " Simple Explanation

汤显祖美学思想核心 --“情 ”的浅析

15

"Affections Producing Dreams and Dreams Producing Play " --On TANG Xian-zu's Theories on Drama

“因情成梦，因梦成戏 ”--试论汤显祖的戏剧观

16

Tang Xian-zu and Literary Restoration Movement in Ming Dynasty

汤显祖与明代复古派文学思潮

17

On Tang Xian Zu 's Traditional Opera Creation after his Return to Lin Chuan

论汤显祖归隐临川后的戏曲创作

18

The Comparison Between Shakespeare and Tang Xianzu

莎士比亚与汤显祖之比较

19

Chapter Two is a survey of Tang Xianzu , The Peony Pavilion , and the Kun Opera ;

第二章主要介绍汤显祖及《牡丹亭》，兼有昆曲简单回顾；

20

Tang Xianzu 's Perception of Drama Under Late Ming Thoughts

晚明思潮下汤显祖的戏曲观

21

Tang Xianzu 's Education Thought and Practice

汤显祖的教育思想与教育实践

22

Tang Xianzu 's Perception of Drama and Late Ming Thoughts

汤显祖的戏曲观与晚明思潮

23

Tang Xian-zu Fuzhou City Theater

抚州市汤显祖大剧院

24

Tan Lun 's Influences on Tang Xianzu's Drama Creation

论谭纶对汤显祖戏曲创作的影响

25

TANG Xian-zu and Ba Gu Writing

汤显祖和八股文

26

Some Thoughts on Tang Xianzu 's Essays

汤显祖小品文简论

27

The dilemma of Tang Xianzu 's thought

汤显祖思想的两难抉择

28

On Aesthetics of Tang Xianzu 's Plays

汤显祖剧作审美论

29

In Tang Xianzu and The Peony Pavilion

汤显祖与牡丹亭。

30

Discuss on the Time in Tang Xianzu 's Dramas

试论汤显祖戏剧中的时间

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